The Humanistic Effect Of The Italian Renaissance

Essay, Research Paper

The Italian Renaissance was driven by a force of great strides in humanity. This

was a time for a re-awakening of educated thinking, great artistic endeavors, and an

empowering factor of humanism to use free will to govern one’s future rather than

allowing the church to dictate the correct path in life.

The city of Florence became the center for much of this activity, where artists and

scholars were sponsored royally by like-minded families of great wealth and social

power. More emphasis was put onto education as a means of freedom from ignorance

instead of a reason to serve God. There was a shift in power from the church to a general

secularization in all areas of life, with the main focus being on the enhancement in the

studies of the arts. The arts were looked at in a new way, using humanism as the new

religion and the new way to achieve the greatest possible virtue.

The actual term Renaissance means “re-birth”, which is essentially what was taking place

overall, in Florence and other Italian states.

“For Burckhardt this period consisted, broadly speaking, of the 15th century

in Italy, a time and place in which “medieval” man became “modern” man.”

-Italy-History of, Encyclopaedia Britannica, 2000. (1)

This was a re-birth of ideas, learning, communication, artistry and beliefs. All of these

factors were culminating together to prepare the world for the dawning of a new age, and

a new direction for man to move in.

The Italian Renaissance began finding it’s niche among the elite in Florence in 1360,

however, this was just the beginning. The Renaissance proved to be more established

by the early fifteenth century among the rest of Italy, and eventually the rest of Europe.

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The world was changing and ready for a new way of thinking. No longer were individuals

prepared to accept the teachings of the church as their guidelines in life. Society wanted

more from life than what the church had to offer.

Italian culture, most noteably in Florence, was growing wealthier. With this increase of

wealth came a need to pursue personal limits in achievement, education, and ability.

“In their society, successful individuals, usually men, clearly were capable of

doing more in this world than traditional religious views allowed.”

- Modern European History I, 1992. (2)

The humanists came forth from this need to learn. They were the intellect behind the

Renaissance and brought to light a new view of what should be taught and studied.

They embraced the classics; translating many from the ancient Greek and Roman

script they were originally created in, and redefining how these works were originally

interpreted. They looked upon studies in grammar, rhetorics, poetry, history and

moral philosophy as a means of elevating their self-worth, and discovered that man

can create his own destiny rather than follow a pre-ordained fate determined by the

church. By using education to further themselves in society, the free-willed humanists

were setting the standards for educated thinking, that current modern day life adheres to.

“Humanism was the most important single intellectual movement of the

Renaissance.” – Eugene F. Rice Jr, 1970. (3)

Humanism was not only focused on education; this way of thinking also held power over

other aspects of the Renaissance.

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As much of the educational aspect centered in Florence, so did the growing desire for

beauty and culture to be represented in art; another strong factor of humanism.

With it’s economic and social standing becoming rapidly elevated, and due to the strong

tradition of democracy it held, Florence would prove to have the ideal surroundings for

the birth of artistry in the Italian Renaissance movement.

At the beginning of the Renaissance, Florence was a well-established, commercial city

primarily controlled by the rich merchant class and some of the very wealthy and

powerful families that resided there. Families such as the de Medici family, would

commission artists to design and build enormous churches, palaces and other monuments

to cement the families’ position in Florence. Using this type of backing sponsorship, the

growing artistic community was able to flourish and thrive, and produce a mutitude of

glorious works, focusing on a new embodiment of their skill.

The human body was looked upon and studied with more detail and realism than ever

before. This lead to more accurate and life-like art work, both in painting and sculpture.

Much of the art moved away from the old themes of portraying the world and humanity

as perfectly as possible, and concentrated instead on capturing the actual likeness of the

subject matter, no matter how unappealing or distressing it may have been.

With enormous financial sponsorship behind them, artists were able to concentrate soley

on their craft and expand it into the new, Renaissance style. Th

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